S10 Map Exploration

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 18 degrees to the left of the camera's starting axis, toward a point far off near the horizon line, roughly 87% of the way there. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The move begins at pace and eases as it settles into its final framing. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 8 degrees to the right of the camera's starting axis, toward a point in the near ground, only about 43% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 40 degrees to the left of the camera's starting axis, toward a point in the near ground, only about 22% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 4 degrees to the left of the camera's starting axis, toward a point in the near ground, only about 18% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 31 degrees to the right of the camera's starting axis, toward a point in the near ground, only about 42% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 16 degrees to the right of the camera's starting axis, toward a point in the middle ground, roughly 50% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 32 degrees to the left of the camera's starting axis, toward a point in the near ground, only about 44% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 41 degrees to the right of the camera's starting axis, toward a point in the middle ground, roughly 58% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 35 degrees to the right of the camera's starting axis, toward a point in the middle ground, roughly 64% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 15 degrees to the left of the camera's starting axis, toward a point in the middle ground, roughly 56% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 9 degrees to the left of the camera's starting axis, toward a point in the middle ground, roughly 53% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 5 degrees to the right of the camera's starting axis, toward a point in the middle ground, roughly 66% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 13 degrees to the right of the camera's starting axis, toward a point in the middle ground, roughly 63% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 16 degrees to the left of the camera's starting axis, toward a point in the middle ground, roughly 62% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 33 degrees to the left of the camera's starting axis, toward a point in the middle ground, roughly 74% of the way to the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path bears about 18 degrees to the left of the camera's starting axis, toward a point far off near the horizon line, roughly 87% of the way there. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the right of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the left of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the right of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the right of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the left of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads straight ahead through the centre of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads straight ahead through the centre of the frame, aiming at the far distance near the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads straight ahead through the centre of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the left of the frame, aiming at the middle distance. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the left of the frame, aiming at the far distance near the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.

The camera sits low, at roughly waist height, close to the ground plane rather than looking down on it. It pushes deep into the scene, covering a long stretch of ground, so the framing at the end is somewhere the shot did not start. The move is a straight forward dolly along the camera axis. The path heads toward the left of the frame, aiming at the far distance near the horizon. Wide-angle lens: near edges of frame stretch past the camera quickly and the sense of forward travel is strong. The speed is constant from first frame to last. Every structure, surface and object keeps the exact shape, position and material it has in the first frame; the world is rigid and only the camera moves, so the scene reveals itself through genuine parallax as near things slide past far things. Lighting, colour, weather, season and time of day hold exactly as in the first frame. One unbroken continuous shot, no cut, no dissolve.